There are several main characters in Carnivàle, an American television serial drama set in the United States Depression-era Dust Bowl between 1934 and 1935
It aired on HBO between 2003 and 2005
The show traces the disparate storylines of an ensemble of fictional characters revolving around two main characters: young Ben Hawkins working in a traveling carnival, and a California preacher named Brother Justin Crowe
Carnivàle has a large cast, amounting to eighteen main cast actors over its two-season run
Most characters are introduced in Ben’s storyline: Samson, a dwarf co-running the carnival with Management; Jonesy, Samson’s right-hand man with a crippling knee injury; Apollonia and Sofie, two fortunetellers working a mother-daughter act; Lodz, a blind mentalist, and his lover, Lila the Bearded Lady; the cootch (striptease) Dreifuss family; snake charmer Ruthie and her son Gabriel, a strongman; and many other sideshow performers
The supporting characters of Brother Justin’s storyline are his sister Iris, his mentor Reverend Norman Balthus, radio show host Tommy Dolan, and convict Varlyn Stroud
Several characters appear in mysterious dreams and visions connecting the slowly converging storylines
Show creator Daniel Knauf’s original story pitch to HBO included elaborate character biographies, which he gave to the actors, the writers and the studio as an overview over the series’ intended plot
These biographies were rewritten before the filming of the first season began
Receiving little to no mention in the series afterwards, the original character backgrounds were summarized on the official HBO website
After the show’s cancellation, the writers revealed future character arcs and forwarded all original biographies to fans as part of the show’s so-called “Pitch Document”
Due to their nature, these sources do not offer canon information per se, but provide a frame for the characters’ motivation throughout the series
The thematic and period setting of Carnivàle required an unusual casting approach
While some actors were hired for their genetic disabilities, most actors were specifically cast for their unique and distinct looks to fit the 1930s period
Award-winning costumes and make-up enhanced the illusion
Reviews generally lauded the actors and characters, and several actors received award recognition for their performances
Conceiving the initial script for Carnivàle between 1990 and 1992, daniel knauff
Ben Krohn Hawkins is the protagonist in Carnivàle
He begins the story as a young Oklahoma farmer and chain gang fugitive who is picked up by a traveling carnival when his mother dies
Ben has displayed inexplicable healing powers since childhood, and with the beginning of the series, he has begun to suffer dreams and visions of people unknown to him
As Ben learns from staying with the carnival, he seems to be related to Henry Scudder, a man who once worked at the carnival
He also learns that his powers come with a price – to give life, he must take life; to raise the dead, he has to deliberately kill someone else
When the beginning of season 2 makes the mysterious happenings in the carnival clearer, Ben is told to find the preacher of his dreams to prevent an unfolding chain of catastrophic events
Henry Scudder, at this point revealed to be Ben’s father, allegedly knows the preacher’s name, and after a number of near misses and harrowing encounters, Ben is able to bring Scudder before the carnival’s Management
A fight ensues in which Ben is forced to kill Management, leaving him a full understanding of his powers
Season 2 concludes with Ben’s setting out to confront Brother Justin in California, where they finally meet in battle in a cornfield
The carnies find Brother Justin slain and Ben passed out from his own grievous wounds
They take Ben back to their camp and leave New Canaan
As his powers and use of powers already suggest in the series, Ben is an Avataric Creature of Light
[9] An early draft of Carnivàle, which consisted of diary entries by Benjamin “Ben” Hawkins, summarized his childhood as growing up on a run-down farm with his mother and grandfather in the belief that his father had died in World War I
After both his grandfather and mother had died from cancer, he was “shanghaied by a group of carnies” in 1930
[4] In a later version closer to the actual series, Ben left his mother’s farm at age sixteen and fell into a criminal life in Texas
After receiving a twenty-year sentence in a state prison-farm for a failed bank robbery, Ben planned his escape to return home to his sick mother, but he accidentally killed a prison guard who drew a gun on him
[4] Show creator Daniel Knauf gave the latter as Ben’s chain gang background in the series
The writers always intended Ben to be the leading man and hero of the series, and were looking for an actor to showcase a youthful, innocent and anti-hero quality
[11] Of the many actors auditioning, the producers found that Nick Stahl brought a “particular introspection” to the character, “project[ing] a great deal of sensitivity, of quiet intelligence, of pain
“[12] They also felt that his seemingly little-trained physique worked well for the 1930s period
[12] Nick Stahl, who interpreted Ben as “very stoic”, “very quiet”, with a “dual nature” and a “real internal struggle going on”, embraced this role as a personal challenge
In reviewing the first three episodes, The New York Times commented that “Ben is a taciturn hero, and Mr
Stahl does a remarkable job of wordlessly conveying his character’s moods and yearnings, as well as his ungainly grace
“[14] The Boston Globe regarded “Stahl, with his watchful eyes, [as] one of the show’s strengths
He has a boyish face, but the grim expression of a worn-out elder”,[15] and the Seattle Post-Intelligencer said Stahl “speaks volumes with his eyes and weary frown, so much so that his understated portrayal almost carries the series
“[16] In a season 1 DVD review, DVD Talk thought that “as the two leads, Nick Stahl and Clancy Brown are nothing short of brilliant
Ben Hawkins is a very isolated and quiet character, and yet he carries a significant part of the series on his shoulders
Without the right actor it could be disastrous, but Stahl brings a level of thoughtful emotion to the character such that a glance or a stare speaks volumes
“[17] DVDverdict felt in a season 2 review that “both Nick Stahl and Clancy Brown deliver perfect performances
Stahl’s gradual acceptance of his own power, and his subsequent struggle, are fascinating
For his portrayal of Ben Hawkins, Nick Stahl was nominated for a 2003 Saturn Award in the category “Best Supporting Actor in a Television Series”
[19] He was also nominated for a 2003 Golden Satellite Award in the category “Best Performance by an Actor in a Series, Drama”
Brother Justin Crowe is the antagonist in Carnivàle; reviewers also saw in him a possible alternate protagonist
[20] Brother Justin is introduced as a Methodist minister who resides with his sister Iris in the small town of Mintern, California
As the series reveals in later episodes, Justin’s birth name is Alexei Belyakov
He and his sister Iris are orphaned immigrant children in the wilderness, who were found and raised by Reverend Norman Balthus
Following strange visions and supernatural abilities in the pilot episode, Brother Justin erects a church in his God’s name
But after a fire in his new ministry leads him almost to suicide, Brother Justin is hospitalized in a sanatarium and discovers his ability to manipulate and control those around him through sheer force of will
Shortly after Brother Justin’s return to Mintern, Norman suspects his foster son to be possessed by a demon and confronts him, but Brother Justin is not disturbed by his true nature for long
In the beginning of season 2, Brother Justin has begun to gather a huge flock of worshippers of mostly migrants and Okies outside Mintern via his nightly radio sermons and newfound abilities of persuasion
A scholar named Wilfred Talbot Smith identifies him as the Usher and tells him that, in order to gain his full measure of power and fulfill his destiny, he must find and kill a man named Henry Scudder
While escaped convict Varlyn Stroud helps Brother Justin, the Crowes find a new chambermaid in ex-carny Sofie, not knowing that she is Brother Justin’s daughter
Brother Justin at long last meets his adversary, Ben, in the final episode of the series
Brother Justin is killed in a battle in a cornfield near his home, but Sofie as the Omega arrives and places her hands on his chest, causing the corn stalks around them to wither and fall away
Besides being the Usher, Brother Justin is also an Avataric Creature of Dark
[9] His spiritual presentation in the series, the Tattooed Man, was portrayed by Don Swayze
Show creator Daniel Knauf saw in Brother Justin “one of the most complex devils”,[21] and envisioned Christopher Walken to play him when he wrote the first draft of the show
[10] Knauf originally designed Brother Justin as a preacher far along in his career as well as a recurring instead of a regular character, “much more evolved towards the dark side
“[12] An early draft of Carnivàle gave Brother Justin’s real name as Lucius Crowe, a radio preacher who advocated ethnic hatred, especially for Gypsies and carnival folk
It also mentioned Brother Justin joining “The Order of the Knights of Jericho” between 1921 and 1923 and becoming its head in 1926
The completion of the construction of his “Temple of Jericho” was set in Nebraska in 1928
At the series’ start initially projected to occur in 1930, the character had already gathered a great army of followers through his “Church of the Air” radio sermons
After seeing the preliminary pilot episode, however, Knauf and the producers realized there was no room for the character to grow in a television series
They demoted Brother Justin to an ordinary Christian minister in a little town, but when Brother Justin’s affiliation needed to be decided, Knauf contested plans to make him a Catholic priest; he rather settled on the Methodist denomination, which he perceived as significantly less suspicious and controversial
[22][23] Although Brother Justin shares traits with Father Coughlin, an Irish Catholic priest who broadcast his sermons over the radio in the 1930s, the writers never tried to retell that particular story
The producers added Justin’s sister Iris as a supporting character in the revised series, and established a sexual tension between the two characters early on
[25] While reviewers were unsure what to make of it,[26][27] Daniel Knauf advertised the relationship as “just as warped and incestuous as ever” in the new season
[28] Clancy Brown (Brother Justin) and Amy Madigan (Iris) acknowledged the lust between their characters but assumed their relationship had not been consummated in the first season
They were not in favor of their characters getting together like HBO had wanted, as “that’s really not what they’re about
“[29] Per Brown, the sibling relationship informs Brother Justin’s and Iris’s character and motives, and continued tension frightens the audience more if it is never resolved
[29] Although Brown and Madigan wanted to leave the status of their characters’ relationship as lovers open, they deliberately played their kisses more intimate and familiar than most people would consider comfortable
[30] Several characters intervene the siblings’ relationship during the show’s run
The writers had planned a sexual innuendo between Iris and Tommy Dolan, a news reporter who investigates in the arson case, but Robert Knepper (Dolan) later felt his character might just have been a pawn between Brother Justin and Iris as siblings, making Brother Justin jealous
[31] The Crowes also regularly hire new maids, which Knauf explained as Iris lining up surrogate women to relieve Brother Justin’s sexual pressure
In reviewing the first three episodes, The New York Times saw in “prim, righteous Brother Justin [
] more of a caricature, but Clancy Brown finds ways to bring some subtle glints of personality to the role
“[14] Time commented, “Brother Justin comes across as a typical whited sepulcher – if there’s one thing more trite than a dwarf in a surreal drama, it’s a preacher with a dark side – and Brown’s campy performance largely involves shouting ‘Enough!’ and ‘No-o-o-o!’ with horror-flick pathos
“[32] Entertainment Weekly considered Brown’s Brother Justin “delightfully unsettling as the creepy evangelist taking his orders from the wrong superpower”,[33] and Variety thought Brown was doing “a superb job straddling the line between stoic and menacing, and there are hints about his weaknesses, conveyed quickly with subtlety
“[34] A season 1 DVD review by DVD Talk saw Clancy Brown’s performance as “nothing short of brilliant
] Brown also has a difficult task capturing the duality of Brother Justin, a man who presents a physically intimidating presence but who wants little more than to be a subdued and loyal servant of his Lord, and he succeeds on every level
“[17] DVDverdict stated in a season 2 review that “Brown’s presence and charisma is dazzling; he is both likable and frightening
He is an actor with a great deal of range, and he uses all of it in this series
“[18] Referring to Brown’s portrayal as “a man of God in Carnivale”, the Los Angeles Times saw Brown’s “eyes always betray[ing] him as someone who, all things considered, would probably be happier caving in your skull and smoking a cigarette afterward than talking to you for another minute
“[35] Time Magazine’s James Poniewozik depicted the Boardwalk Empire character Nelson Van Alden (played by Michael Shannon) as “such a histrionic, guilt-wracked, damnation-obsessed monster that he reminds me of Brother Justin”
Samson, in earlier drafts also called Edgar Leiber[4] or Edgar Leonhardt,[37] is the dwarf co-manager of the Carnivàle
His original biography gave his background as a dwarf strongman who started his career in 1904
Eight years later, he started working on traveling carnivals, including the Hyde & Teller Company
Samson’s wit elevated him from performer to general manager until another character, Management, purchased the carnival (to be renamed Carnivàle) and briefly gave Samson’s job to Lodz, a blind mentalist
[37] The beginning of the series shows Samson delegating Management’s orders to the carnies
Samson temporarily loses his position to Lodz for a second time near the end of the first season but retains Management’s trust
The death of Management in season 2 leads to Samson’s secret deal with Ben to make the boy the new commander of the carnival
Clayton “Jonesy” Jones is an ex-baseball player who suffers from a crippling knee injury
He is Samson’s right-hand man, operator of the Ferris wheel, and the leader of the roustabouts
Jonesy’s original biography reveals his past as a star pitcher in the major league whose knee was injured in revenge when he refused to throw a game for the mob
Slipping to the edge of society, Jonesy joined the Carnivàle and found redemption in the eyes of young Sofie
The two became inseparable until Sofie grew into a woman, making their relationship awkward
[38] At the beginning of the series, Jonesy is faced with Sofie avoiding his advances
While she retreats into a friendship with cootch dancer Libby Dreifuss, Jonesy finds sexual relief with Libby’s mother Rita Sue
When Sofie begins to show interest in him, he breaks off his relationship with Rita Sue; however, the fact that he was sleeping with her (and that Libby knew about it) causes Sofie to break both of their hearts as pay back
After this Jonesy remains cold towards her yet finds new affection in Libby
The two eventually elope
Jonesy is kidnapped, tortured and left for dead by a man who had lost his wife in a Ferris wheel accident
Ben is able to heal Jonesy including his crippled knee, and Jonesy joins Ben on his last mission
In the series’ final minutes, Jonesy and Sofie meet again, and she shoots him in cold blood
Apollonia and Sofie Agnesh Bojakshiya[39] are fortunetellers in a mother-daughter act at the carnival
Although Apollonia is catatonic, she and Sofie can communicate telepathically
Their original biographies declare Apollonia a “once renowned seer who read cards for the rich and famous” and “the only psychic Houdini was unable to debunk
“[39] A series of seizures during Sofie’s birth in 1913 was given as reason for Apollonia’s state
Apollonia’s sister cared for her until Sofie was old enough to take over, and they began working the traveling circuits shortly afterwards
[39] It remains unknown until late in season that 2 Sofie is the Omega, although the character’s importance for the show’s mythology is suggested much earlier
When the series starts with Ben joining the carnival, Apollonia can no longer shield Sofie from her own true self
Sofie begins to evade and rebel against her mother’s mental control, but Apollonia counters by first trying to drive Sofie to suicide, then by attempting to kill her in a trailer fire at the end of the first season
[9][40] Jonesy rescues Sofie, but Apollonia dies
Nevertheless, season 2 shows Apollonia repeatedly appearing to Sofie and snake charmer Ruthie
Sofie tries to leave her fortuneteller life behind by becoming a roustabout
After a short-lived relationship with Ben, Sofie leaves the carnival altogether and becomes the Crowes’ maid in California
Brother Justin introduces her to the world of religion, but several signs suggest the preacher is not the good man Sofie thought
After berating Brother Justin in the final episode, Sofie is locked in a barn where visions insinuate her as the Omega and Brother Justin as her father
She later shoots Jonesy, and her eyes have taken on the coal black appearance of Brother Justin’s eyes
The final minutes of the series show Sofie finding Brother Justin dead in a cornfield
She lays her hands on his chest, and the corn around them dies
Professor Ernst Lodz[41] is a blind mentalist
As revealed both in the show and in his original biography, he has a long history with the Carnivàle
Lodz’s character arc starts with Ben joining the carnival
Lodz unsuccessfully hassles the boy to work with him and to listen to his dreams
He later initiates Ruthie’s death with Management’s blessing to get his sight back
Upon finding out these circumstances, Ben strangles Lodz to death, reviving Ruthie in the process
Nevertheless, Lodz repeatedly appears to Ruthie and leaves her the message “Sofie is the Omega” on a mirror
Using Ruthie’s body, Lodz also visits his lover Lila and informs her about the events leading to his death and “you’ll be seeing me soon [
] in the flesh
“[8][42] Lodz’s final appearance as Ruthie was not supposed to be his last
According to Clancy Brown (Brother Justin), the writers had originally planned Lodz’s return as a mummy after a man sold his desiccated body to the carnies
[43] Lodz’s demise in season 1 however was planned from the beginning
Besides serving a purpose to the story, it should indicate all bets are off for the other characters
Lila Villanueva,[44] also known as the Bearded Lady of Brussels, is the lover of Lodz and the dressmaker of the carnival
[45] Lila’s original biography states she was born into the Villanueva circus family in Terrebonne Parish, Louisiana in 1890
The family traveled the international circuit as the “Flying Villalobos” until misfortune struck
One of Lila’s two older brothers died in Copenhagen in 1905, and her father committed suicide in 1908
At age sixteen, Lila already sported a beard and married for the first time
The marriage did not last long, and Lila would marry over nineteen more times in her life
Lodz would be her only true love
[44][46] Lila’s arc of the first season is limited to being with Lodz until she notices his growing contact with Management
His sudden disappearance at the beginning of season 2 however makes her suspicious
Samson’s subsequent evasive behavior suggests external forces, but Lila finds herself unable to obtain proof
Ruthie repeatedly approaches Lila at night, seemingly possessed by Lodz, and leaves her clues
When Lila finally learns of the circumstances surrounding Lodz’s death, she suborns the carnival crew to a mutiny that almost prevents the troupe from meeting with Brother Justin in California
Felix “Stumpy” Dreifuss is the manager of the cootch (striptease) show
He is married to Rita Sue, and has two daughters, Libby and Dora Mae
Their original biographies state Rita Sue was born in Michigan in 1895 as the only child of Thomas and Emma Menninger
Her parents invested in her education at the finest Eastern boarding schools, but the family’s financial fortunes declined with Thomas’s death in 1903
Rita Sue left her home in 1908 and started vaudeville work
She joined several traveling companies and strip-shows, where she met Stumpy, a barker who had begun his career in 1910
They married in 1914, two months before the birth of their first child, Libby
In 1916, their second daughter, Dora Mae, was born
When their company’s owner died, Stumpy and Rita Sue began traveling with various carnival companies and were eventually joined by their two daughters in the late 1920s
Their fortunes steadily declined in the 1930s when more cootch family acts spawned in the difficult times
[47] The series mentions Stumpy and Rita Sue had three more children, one of whom was stillborn and two of whom died of influenza
[48] The Dreifuss family continues to face many personal and economic problems during the show’s run
Dora Mae is murdered by an inhabitant of a haunted ghost town, the sexual relationships between Jonesy and Rita Sue, then Jonesy and Libby, cause much heartbreak, and Stumpy’s affection for gambling almost ruins the family
Ruthie is a snake charmer and barker for the strongman acts of her son Gabriel
Their arc in the story reveals Ruthie as a former lover of the mysterious Henry Scudder
Gabriel, a big and powerful person but with a low IQ, is the first carny to experience Ben’s healing powers
Shortly after Ruthie and Ben grow close, Ruthie dies from a snake bite
Ben first tries unsuccessfully to resurrect Ruthie, but succeeds later when he strangles Lodz, the carnival’s blind mentalist
In season 2, Ruthie starts to encounter people who have died a long time ago
Being possessed by Lodz at night, Ruthie repeatedly approaches Lila, leading to Lila turning into a major obstacle for the carnival’s success
Iris Crowe is the older sister of Brother Justin and a devoted supporter of his ministry duties in California
Iris’ significance in the series starts when Brother Justin informs her about the church board’s plan to take away his new ministry
Shortly after, a fire in the church kills several orphans, but it remains unknown until the end of the first season that Iris was the arsonist
Radio show host Tommy Dolan, who arrived to help with the arson investigation, develops feelings for Iris, but a romance is hindered by Brother Justin’s return from a week-long self-discovery trip
Dolan starts to uncover evidence pointing to Iris’s guilt, but a strange twist at Iris’ planned public confession results in Dolan’s arrest as the culprit
To prevent the revelation of Brother Justin’s true nature, Iris murders an innocent Okie, Eleanor
Late in the second season, Iris joins her foster father Norman in an ultimately unsuccessful plot against Brother Justin
Tommy Dolan is a radio show host and news reporter from Los Angeles, who regularly travels incognito into the wilderness to collect strangers’ stories for his show Tommy Dolan on the Road
His first appearance in the series occurs when he meets Brother Justin around a campfire
After retelling Brother Justin’s story of the burned-down ministry in his radio show, Dolan approaches Brother Justin’s sister Iris and helps her with receiving funds for a new church
Dolan is seemingly attracted to Iris, but Brother Justin’s return prevents further advances
By the beginning of season 2, Dolan has fulfilled Brother Justin’s wish to become a radio preacher, yet police evidence surfaces first hinting at Brother Justin’s, then Iris’ guilt in the arson
Trying to further his career, Dolan collects evidence until Brother Justin accepts the arrangement of a special confession announcement for Iris
The confession backfires and Dolan is arrested, with Iris’ guilt never proven
Reverend Norman Balthus is Brother Justin’s mentor
He rescued and raised young Justin and Iris after he had found them alone in the wilderness
Late in the first season, Norman grows suspicious of Brother Justin’s inner motivations
He confronts his foster son but does not carry out Brother Justin’s plea to kill him
At the beginning of season 2, Norman suffers a stroke leaving him unable to move or speak
He remains in the care of Brother Justin and Iris until the carnival sets up near Brother Justin’s home at the end of the series
Ben heals Norman, but the reverend is fatally lacerated by Brother Justin seconds later
Varlyn Stroud is a convict
His original biography gives insight into his criminal past and names Stroud’s sister Clara as his first murder
When Clara was nine years old, Stroud deliberately upset a Ferris wheel car so Clara fell to her death
Stroud’s second murder was his grandfather three years later, which he covered as a hunting accident
Having possibly committed over a dozen contract-killings, Stroud was never convicted of murder, yet still spent most of his life in prison on a variety of charges
[52] Stroud’s story arc in the series begins in season 2 when he hears Brother Justin’s radio sermon
Made Brother Justin’s apostle in a subliminal message, Stroud escapes prison to find and bring Henry Scudder to Brother Justin
Stroud first tracks Scudder’s old life and later follows the route of the carnival
With Ben’s unintentional aid, Stroud finally finds the man he is looking for
After delivering Scudder to Brother Justin, Stroud becomes his security manager, which significantly hinders the carnival’s aim to kill Brother Justin
Since the first episodes of Carnivàle, Ben’s parentage is one of the big puzzles
[15][33] As a man named Henry Scudder seems connected to everything and everyone,[17][53] it is Ben’s job to piece together the mystery of his own past
[54] The progressing series indicates many characters are more closely interrelated than what both the characters and the audience would imagine at first
[55] Although these links rarely receive plot attention, the immediate genealogy of the main characters is cleared up by the end of the second season
Other character links that were largely unanswered after Carnivàle’s cancellation concern the trench war and the Hyde & Teller Company in relation to the emergence of the Carnivàle
Show creator Daniel Knauf, character biographies on the HBO website and the Pitch Document later provided detail for what was originally envisioned
[4][56] Although the nature of these sources does not qualify them for canon status, they provide a framework for hints dropped in the series
Henry “Hack” Scudder is a mysterious man who appears in Ben’s and Brother Justin’s dreams wearing a tuxedo
Scudder is mentioned several times in the first season, revealing he once worked at the carnival’s geek show and was Ruthie’s lover
Scudder also had a relationship with Ben’s mother once; Samson later confirms Scudder as Ben’s father
Season 2 forces both Ben and Brother Justin to find Scudder for their own purposes
It is confirmed that he is the previous generation’s Creature of Darkness, and just as Management, the previous Avatar of Light, knew Ben’s identity, he knows Brother Justin’s, the current Avatar of Darkness
He had repeatedly tried to flee from his destiny, and when he sensed Management approaching he fled to protect Ben and his mother
After a long journey, Ben finds Scudder in Damascus, Nebraska and brings him to the carnival’s Management and reveals that Management’s son is the Avatar of Darkness
Management attacks Scudder, leading to Ben killing Management to protect him
Scudder flees and moments later, escaped convict Stroud kidnaps him and brings him to Brother Justin
Brother Justin anticipates Scudder’s renewed escape and decapitates him
Lucius Belyakov is a mysterious man who appears in Ben’s and Brother Justin’s dreams as a Russian soldier
He is also revealed to be the previous generation’s Creature of Light
Unknown at first, he is also the carnival’s Management, hiding in his trailer and communicating with his carny workers solely through Samson
He is also the father of Iris and Justin Crowe
As Management remains unseen during the first season, it is unclear at first whether Management exists at all
Late in the season however, Management is shown to have a conversation with Lodz
In the second season, Management reveals himself to Ben as Lucius Belyakov, the soldier of his dreams who was once badly injured by a bear
Management wants Ben to break an unfolding chain of catastrophic events, which will lead to the death of millions
Management urges Ben to find and bring Scudder to him, as he will know the identity of the current generation’s Avatar of Darkness
After Ben accomplishes his mission, Management attacks Scudder and is stabbed by Ben to protect the latter
Ben reveals to Samson that Management had planned for Ben to kill him so all of his powers would pass to Ben
With his last breath, Management tells Ben how to defeat the Usher, Ben’s ultimate nemesis
Although Carnivàle is set in the mid-1930s, Ben and Brother Justin have visions and dreams suggesting the story began much earlier
Samson summarizes the backstory in a monologue at the beginning of season 2, without mentioning names
The Pitch Document, which served as the source for the character biographies on the HBO website, provides context for all clues
The carnival’s backstory begins at the end of the nineteenth century when Lucius Belyakov, a Russian aristocrat from Minsk and officer in the Tsar’s army, became aware of his Avataric powers
The birth of his son Alexei evoked dark visions in him
After Belyakov’s attempt to kill two-year-old Alexei, his wife fled with their two children to America, but news spread they perished in a train accident soon thereafter
Resuming his duties in Lemberg in 1914, Belyakov was again afflicted by dark visions
[4] Henry Scudder, an American who had escaped prosecution for criminal activities in his home country by joining foreign armies, had had psychokinetic powers since childhood
At the time of Belyakov’s visions, Scudder was stationed in Lemberg as an observer for the Austro-Hungarian Army
[57] Belyakov became obsessed with killing his spiritual enemy (Scudder) and deserted his post, but an escaped circus bear feeding on the dead nearby surprised him in an attack
Belyakov was so gravely injured he would lose an arm and both legs
Scudder escaped and encountered carnival performer Lodz on the battlefield, searching for his bear Bruno
When Scudder joined Lodz’s troupe, Lodz recognized and cultivated Scudder’s supernatural abilities, and they started to perform in the salons of war-torn Europe
Meanwhile, Belyakov slowly recovered from his wounds and learned about his true nature and destiny through devoted study of ancient manuscripts
Scudder could feel Belyakov tracking his movements and never stayed long in one area
[4] Growing impatient, Lodz got into a fight with Scudder about his skills and was gifted with mindreading in exchange for his sense of sight
[41] Scudder returned to America in 1915 to flee his nightmares
Several months later, Belyakov located the broken-down Lodz in Venice
Belyakov noticed the mental bond between Lodz and Scudder the power transfer had caused, and promised to restore Lodz’s sight if he helped in finding Scudder
Scudder fell in love and married a local girl named Flora Hawkins from Milfay, Oklahoma, with whom he had a son, Ben
[57] When Scudder felt his pursuing enemy again, he left his family and traveled aimlessly throughout the country
After narrowly surviving a cave-in in Babylon, he joined the Hyde & Teller Company, a small carnival working the southeastern circuit
Scudder worked as a sideshow geek for nearly a year and got to know Samson, Jonesy, Possum, Lila, Ruthie and Gabriel
[4] Meanwhile, Belyakov used Lodz’s tracking skills and purchased the Hyde & Teller Company, scantily missing Scudder
[58] To remain undercover, Belyakov renamed the troupe “Carnivàle”, assumed the name “Management”, and replaced Samson with Lodz as the new co-manager
[37] Lodz finally located Scudder in St
Louis, but when Lodz failed in preventing Scudder from going into hiding again (with the Order Templar), Samson regained his old job
Over the years, the Carnivàle took on new acts such as the fortunetellers Apollonia and Sofie, the conjoined twins, Gecko the Lizard Man, and the Dreifuss family
While Lodz embitteredly waited for Management to fulfill his earlier promise of restoring his sight, Samson ran the show, counseled by Management and assisted by Jonesy
Eighteen years went by until Management felt Ben Hawkins, whom he had sensed as his Ascendant since birth, was old enough to be approached
[4] At this point, the first season of Carnivàle resumes the story
The pilot episode begins with Ben Hawkins waking up from a dream of a tattooed man, a man in a tuxedo, and a Russian soldier
Ben’s childhood is revealed in flashbacks and dialogue; Ben’s father had left the family’s farm when Ben was an infant, leaving him in the care of Flora, Ben’s mother
[61] Late season 1 confirms what early episodes had already suggested – the man in the tuxedo, Henry Scudder, is Ben’s father
[62] In the second season, Ben meets his paternal grandmother, Emma Krohn, and learns she killed her husband Hilton Scudder on the night of Henry’s birth, along with Henry’s older brothers Owen, Gilbert, and Alvin Sr
[63] (According to Knauf and the HBO website, Emma’s other sons were from a previous marriage to Clarke “C
” Powell, who had died by natural causes
)[57][64] Emma introduces the people living with her as her grandchildren and Ben’s cousins
Brother Justin Crowe is introduced as a devoted Methodist minister, who is supported by his sister Iris
On a self-discovery trip in the middle of the first season, Brother Justin has an elaborate vision of two Russian immigrant children, Irina and her younger brother Alexei; Irina talks of her evil father
As revealed shortly afterwards, this vision is a repressed memory of Brother Justin of him and Iris as the only survivors of a train accident which also cost their mother’s life
[65] Reverend Norman Balthus later saved Irina and Alexei and raised them in a church orphanage
[66] A vision prompts Brother Justin to get his chest tattooed early in the second season
Some people of the Carnivàle are closely related
Apollonia and Sofie are introduced as mother and daughter working as fortunetellers
Sofie grew up not knowing her father, but has a vision of the Tattooed Man raping her mother later in the first season
[68] In the season 2 opening episode, Management, the mysterious leader of the carnival, reveals himself as Lucius Belyakov, the Russian soldier of Ben’s dreams
[69] Moments before his death several episodes later, Belyakov learns that his son Alexei (Brother Justin) did not die in a train accident, as he had previously believed
[70] In the meantime, Sofie has become the Crowes’ maid
When she has a chat with Iris about her childhood, Iris has a vision of Brother Justin as a young man raping Apollonia during his seminary studies in Saint Paul
[40][71] Although Iris only informs Norman of her suspicions,[72] Sofie sees Brother Justin’s tattooed chest in the final episode of season 2 and has implicit visions insinuating Brother Justin as her father
[73] Future seasons of Carnivàle would have expanded the Belyakov genealogy, making a fusion with the Scudder genealogy possible
The casting approach for Carnivàle was to find the best available actors and to show the characters’ realness as opposed to depending on freak illusions too much
Carnivàle’s casting directors John Papsodera and Wendy O’Brien already had experience in casting freaks from previous projects
They attended theater showcases, approached smaller agents or hired some actors directly to find people with unique and distinct looks, which was trying as Los Angeles is a stronghold of good-looking actors
The producers generally preferred actors who were not strongly identified with other projects, but were willing to make exceptions for established actors such as Adrienne Barbeau (Ruthie)
The script for the pilot episode was the basis for the casting procedure, with little indication where the show would go afterwards
This resulted in some preliminary casting disagreements between the creators and producers, especially for leading characters
Nick Stahl had the strongest consensus among the producers to portray the leading man and hero of the series with a youthful, innocent and anti-hero quality
[11] The character of Sofie was originally written as more of an exotic gypsy girl, but Clea DuVall, a movie actress trying to become involved in regular television, got the part after four auditions
Tim DeKay, who had previously worked with Daniel Knauf on a pilot episode of a different project, was cast as Jonesy because the producers felt he best portrayed a “very American” looking baseball player of the 1930s period
[13] Debra Christofferson impressed the producers with her first and only audition, playing Lila as Lodz’s lover instead of his best friend as the script had implied
[76] Adrienne Barbeau (Ruthie) was cast after her first audition as well, although she had originally expected to be cast as Apollonia
She learned to snake-dance afterwards
[13][77] Brian Turk’s role as Gabriel was originally intended to be a mute character described as “a mildly retarded strongman with the face of an angel”, but the writers later gave Turk a speaking part to not have another mute character like Management and Apollonia
[4][78] One of the only actors who never had any real competition was Michael J
Anderson as Samson, whom Daniel Knauf had wanted as early as the initial casting meeting;[11] Samson, Knauf’s favorite character, was inspired by Knauf’s father
The filmed pilot episode served as basis for additional tweaking of intended story lines
[10] The expanded role of Brother Justin encouraged the creation of his sister Iris in a supporting role, for which Amy Madigan was cast
Little was changed on Ben Hawkins’ side except for the addition of the cootch (striptease) Dreifuss family; a Carnivàle consultant had elated the producers by calling attention to his research about families managing cootch shows in the 1930s
[12][22] Cynthia Ettinger (Rita Sue Dreifuss) had lost her role as Martha Kent in the pilot episode of Smallville before the opportunity for Carnivàle came up and had turned to theater jobs; she chose Carnivàle because of the theater-like experience
[79] Amanda Aday (Dora Mae Dreifuss) knew she would join the cast for only a few episodes, but was not told the story reasons at that point
[80] The writers prolonged the character arcs of recurring John Carroll Lynch (Stroud) and K Callan (Eleanor) considerably beyond their original intention
[21] Similarly, Robert Knepper’s role as Tommy Dolan was extended from a few episodes to half of both seasons because the writers had liked his performance as an “ambitious man [who uses] Brother Justin to further his career
Genetic disorders or unusual body features are not uncommon among Carnivàle actors
Anderson (Samson) has osteogenesis imperfecta, a genetic bone disorder that leaves him at a size of 3 ft 7 (109 cm),[81] while Matthew McGrory (Giant) stood at 7 ft 6 (228 cm) because of hyperpituitarism
Bree Walker (Sabina) has ectrodactyly, a rare genetic disorder that results in fused fingers and toes; she approached the producers in the second season to let her play a “lobster gal”
[82][83] Several actors for one-time characters like the lobster gal in “Hot and Bothered” and Percy The Praying Mantis in “The Road to Damascus” were also cast for their respective real-life disabilities
[75][84] Cameron Clapp (Management) had lost an arm and both legs in a train accident at the age of 15
[85] Daniel Browning Smith (Rollo the Rubberboy) holds two Guinness World Records for his body-bending abilities
[86] The actors playing the roles of the conjoined twins (Karyne and Sarah Steben, identical twins and real-life trapezists),[87] Lila the Bearded Lady (Debra Christofferson) and Gecko the Lizard Man (John Fleck) are performers without genetic aberrances whose appearances were altered through makeup and prosthetics
To give the illusion of being freaks, the appearance of several actors was modified by make-up elements
John Fleck (Gecko) spent over ten hours in makeup each day to transform into and out of his character
The skin, which needed to look like alligator hide, consisted of seven or eight separate pieces and needed to be glued to Fleck’s face
[88] Patrick Bauchau (Lodz) had several contact lenses pairs of different opaqueness
While one pair enabled him to see shapes, another pair made him basically blind and he had to be led around the set
[46] Debra Christofferson (Lila) had a fake beard applied to her chin; the beard was custom-made by hand-tying human hair onto lace that would disappear when the beard was glued onto the skin
The beard of the early episodes was so heavy that the chemicals caused Christofferson’s skin to be raw at the end of the shooting day, and was later split into three pieces
Christofferson still needed to be careful with mouth movements
According to the actress, “the beard actually determined Lila’s voice
Establishing the characters’ background rather than prettiness was the main goal of costumes
Ben wore the same clothes in both seasons, and to make them look identical, around twenty multiples of his coveralls were made by hand
It took over six weeks to apply all stitches, patches and the roughly fifty holes, plus the aging process
Brother Justin’s clothes were made period-correct from the beginning, but the character’s foreboding presence was enhanced by fitting his frock on the waist and making the shoulders look bigger than usual for that time period
Sofie’s clothes had a strong Bohemian Eastern influence to portray her mother’s origin and sensibilities
Stumpy’s wardrobe consisted of baggy pants and an Italian bowler hat that gave him a 1920s look instead of the 1930s, showing his clothes were second-hand
The stripper clothes of Rita Sue and Libby were influenced by Mae West, harlot movies and silent films of the 1920s and 1930s, with additional research put into Asian harlots, Latin dancers and Hawaiian dancers
The costume designers chose the costumes of the Daily Brothers Show, a rival carnival, to have a new color tone to set them apart from the Carnivàle
The dress of Sabina the Scorpion Lady underwent several die-bleaching cycles to achieve a red-orange-purple color that would work well when filming outside
Bert/Bertha’s costume was made in a hurry from a vintage tuxedo and an old feathered dress, which helped to give it a “made-it-on-the-road” feeling
In 2004, Carnivàle won a Hollywood Makeup Artist and Hair Stylist Guild Award[89] and two Emmys in the categories “Outstanding Costumes for a Series” and “Outstanding Hairstyling for a Series”
The show was also nominated in the Emmy category “Outstanding Makeup for a Series (Non-Prosthetic)” both in 2004 and 2005, and in the categories “Outstanding Costumes for a Series”, “Outstanding Hairstyling for a Series”, and “Outstanding Prosthetic Makeup for a Series, Miniseries, Movie or a Special” in 2005
[90] In the same year, Carnivàle was nominated for two Costume Designers Guild Awards in the categories “Outstanding Costume Design for Television Series – Period/Fantasy” and “Excellence in Costume Design for Television – Period/Fantasy”, winning the latter
As early reviews focused on Ben Hawkins, Brother Justin Crowe and the meaning of Carnivàle, the show’s supporting characters received little to no attention other than having their freak appearances mentioned,[14][15] according to Variety’s Phil Gallo because “they don’t play significant parts in the first few episodes
“[34] Critics who reviewed full seasons gave more credit
Wendy Tuohy of the Australian newspaper The Age stated that show creator Daniel Knauf “sprinkled enough magical gifts over the carnival’s cast of mind readers, fortunetellers, snake charmers, catatonic psychics, conjoined twins, bearded ladies and lizard men to make the bizarre and the macabre appear just about routine
“[1] Matt Casamassina of IGN added that “from the opening sequence to the fade out on episode 12 [of season 1], Carnivàle successfully draws you into the Depression-engulfed world of its many oddly likeable characters
And sure enough, odd best describes these people [
] The show prominently features all manners of freaks, but each is well-crafted, layered, and believable, rather than comical, as easily could have been the case under amateur direction
“[91] MSNBC acknowledged the characters “speak[ing] in a dialogue that feels authentic, even if that authenticity is a modern interpretation [
] Carnivàle manager Samson, Michael J
Anderson gets the best dialogue, dropping terrifically incomprehensible lines
“[26] DVD Talk lauded Amy Madigan (Iris), Tim DeKay (Jonesy), and Clea DuVall (Sofie) as “fantastic choices” with particularly convincing 1930s looks
They highlighted Carnivàle’s status as an ensemble show, with “the performances of all the supporting characters [being] essential to the show’s success
Particularly inspired is the voice of Linda Hunt as the decidedly creepy ‘Management’ and John Savage as Henry Scudder
“[17] A DVDTown review further praised the supporting performances of Patrick Bauchau (Lodz) and Michael J
Anderson (Samson), pointing out that “in fact, every single character on the show, no matter how small, quirky or sinister they are, produce noteworthy performances all round
It is through the efforts of this outstanding cast that makes the entire premise of the show and the period setting so realistic and believable that the audience can’t help but get immersed in it
Several supporting actors received award recognition for their performances in Carnivàle
Adrienne Barbeau (Ruthie) was nominated for a 2003 Golden Satellite Award in the category “Best Performance by an Actress in a Supporting Role in a Series, Drama”,[19] and won a 2004 WIN Award in the category “Best Actress in a Dramatic Series”
Amy Madigan (Iris) was nominated for a 2003 Golden Satellite Award in the category “Best Performance by an Actress in a Series, Drama”
[19] Erin Sanders (young Iris) was nominated for a 2004 Young Artist Award in the category “Best Performance in a TV Series – Recurring Young Actress”
While HBO entertainment president Carolyn Strauss felt Carnivàle had come to a natural end with its second season and gave this as the network’s explanation for not renewing Carnivàle,[93] it was reported HBO president Chris Albrecht had originally wanted to conclude the second season of Carnivàle with a satisfying and close-ended confrontation between Brother Justin and Ben
Albrecht allegedly preferred a definite demise of Brother Justin to a cliffhanger,[94][95] but show creator Daniel Knauf stated Albrecht might have been misquoted
According to Knauf, Albrecht had wished in preproduction discussions to conclude season 2 with a fight between Brother Justin and Ben, which had always been Knauf’s intention
HBO had then approved the open ending by greenlighting the final scene in the writing phase, budgeting the filming including the final shot, and owning the rights of the final cut of all episodes
There was never a plan to cancel Carnivàle prematurely, and HBO had only decided the cancellation shortly before their announcement
[96] However, Clancy Brown (Brother Justin) remembers the original last shot of the series as Iris watching the corn die, not of Ben in Management’s trailer
Following the cancellation, the writers did not immediately answer fan questions about the characters’ future, arguing the story ideas should not be revealed just for instant fan gratification and should wait to be told until the opportunity arises
[97] They later provided clues in DVD special features and at conventions, in forums and in online chats
Tim DeKay mentioned that the third season would have opened five years after the events of the second season finale
[98] Daniel Knauf said Jonesy would have recovered from his gunshot wound,[21] having been saved by Iris
[98] Producer Howard Klein however pointed out that Jonesy “wasn’t shot in a specific place – he [just] collapsed”,[99] and Knauf added “Sofie’s intent in shooting Jonesy was to stop him from taking her back to the carnival”,[40] not to kill him
Season 3 would have opened with Jonesy pitching in a Major League Baseball game[21] and still being married to Libby,[74] as well as having a son with her
Writer and co-executive producer William Schmidt described Sofie’s last seen action as “raising her father at the end, bringing him back to life
“[99] This was “to indicate that she was truly evil”, although “she is the Omega so there’s good in her too
“[99] The third season “would have been pretty much centered on Sofie and the internal struggle of her good versus evil
“[99] The nature of the Omega would have taken two seasons to unfold
Both Ben and Brother Justin would have been alive in the third season
[97] Daniel Knauf would have written Brother Justin as a man “with an inoperable chunk of shrapnel near his heart”,[100] which the anointed blade had caused in the final season 2 episode
Brother Justin would have been “severely weakened and prone to exhaustion, serving as a hollow figurehead in his burgeoning ministry
Sofie and Iris would be vying for the power behind the throne, with Sofie by far the more dangerous of the two, although Iris is a force to be reckoned with
“[100] Knauf had the intention of marrying Brother Justin to Sofie at some point in the future,[23] and the third season would have shown a three-year-old boy amidst Sofie and the Crowes
Knauf left the question about the child’s parents open
[74] Ben’s future would face other hardships
According to Knauf, Ben’s wounds of the season 2 finale would require repeated suturing, causing him to lose his Vitae Divina and draining him of strength
[100] Ben would be a different man than he was before, with a personality closer to Management,[74] and while he and Sofie would be bound together by love, their ultimate fates remain uncertain